As a visual artist and performance maker, I build universes. Such universes consist of interconnected artworks built around a single, long-term investigation. This gives me the time and space to connect social and philosophical themes and question underlying frameworks and value systems.
In my house (2017–2023), I explored what it means to give and take up space. Through drawings, performances, installations, interventions in my home, workshops in people's homes, and an interactive book presentation, I explored the relationship between the body and architecture.
I'm currently working on my second universe, The Chair, the Wig, and the Sheep, a fictional, surreal dystopia. Inspired by comic books, I'm expanding neoliberal logic into a world where people are reduced to one-dimensional cartoon characters, centered around their unique selling point. So far, I've created a tableau vivant (living statue), comic book drawings, a performance, and an interactive viewing box.
Such a universe evolves into a layered, living archive in which my personal process, visual language, and the art medium itself also become part of the research. Drawing plays a key role in this as a way of thinking, imagining, and organizing. I often use game instructions and spatial interventions to invite the audience as active participants. By carefully defining time and space, I create a shared moment for introspection, critical reflection, and imagination—as a counterbalance to a society increasingly driven by efficiency and marketization.
The chair, the wig and the sheep - the portable universe
The chair, the wig and the sheep - a universe under construction
The chair, the wig and the sheep
Group show Speaking Soil
The ground beneath our feet is more than just the surface on which we stand. The scholarship holders of the Borderland Residencies 2023-24 got to the bottom of its complex meaning during their field trips in the border region between Germany, the Netherlands and Belgium. Moments of collective artistic research gave rise to work impulses, the results of which they will present in the exhibition SPEAKING SOIL.
Schoonheid
For the first time since the reopening of the Van Bommel van Dam museum, the museum presents a major exhibition in the freely accessible section. Beauty is the first solo museum presentation of the work of Venlo-born photographer Machteld Schoep (1962 – 2019). The exhibition shows more than 75 photos from the oeuvre of a photographer with a special sense of humor and an eye for the beauty of the everyday.
house-toolkit
HUIS III
Talentlab
Destination Unknown
On July 1, I will start my residency at Destination Unknown.
Residentie FLACC
As part of The Known Artist I did a short residency at FLACC.
The Known Artist
The Known Artist is a talent development trajectory and a unique partnership in Limburg for young visual artists. I was selected to participate along with four others. We made working visits to the partners and received artistic guidance. This trajectory is rounded off with an exhibition at Odapark, which opens June 26.
By R.C. Vrij
Published essay. By using quotations as a tool, Rosa Vrij explores tradition and originality in art and writing, both in form and content. This essay was written during the Master in Theater at the Institute of Performative Arts in Maastricht, The Netherlands.