Oana Clitan

video , textile , Internet , installation ,Experimental , Digital technology , Digital , Design , Conceptual , Audiovisual

In my practice I use speculative worldbuilding to explore systems humans create to navigate uncertainty. My narratives come from imagining responses to crises happening in our present world, which is why I am particularly interested in how digital infrastructures shape these systems. The construction of these worlds always starts with research, grounded in historical accounts and archives, which I then reinterpret and reimagine in an alternative future scenario. I explore how people respond, adapt, and reorganize within this new reality, science fiction films and literature being a big inspiration. Having experienced myself a society rebuilding itself during my childhood in post-communist Romania, I became very aware of how cultural narratives are shaped and manipulated. Later, my studies in graphic design made me aware of the mechanisms through which ideology is communicated. I work across audiovisual installation, video and textile, selecting each medium for how its materiality, scale and narrative possibilities can reveal different dimensions of my speculative scenarios. I use advertising materials such as posters and flyers, alongside symbolic technological artifacts and mythic motifs as entry points into these worlds, carrying traces of ideology and social values. In the past years my practice has revolved around a long-term project set in a dystopian Rotterdam. www.oanaclitan.com

Rebirth (Băbăluda)
Rebirth (Băbăluda) - Rebirth (Băbăluda) is an interpretation of the Romanian tradition of Băbăluda, an ancient spring fertility custom taking place in a village called Buru. Traditionally, young single men from the village dress up in costumes made of tree bark and branches. In the video, the character of Măriuța (the only female figure within the group) becomes a vessel for questioning the relevance of myth and tradition in a contemporary world shaped by technological acceleration and environmental collapse, where rituals once performed to navigate the unknown forces of the natural world now seem unnecessary. Suspended in a digital void, caught between memory and the present, she moves beyond the limits of her prescribed role. In performing a ritual of purification, similar to the Romanian descântec, Măriuța initiates a new cycle of life, rebalancing the relationship between humans and nature. This project was developed during the residency 'Spring in the Romanian Village: Băbăluda' in Buru, Romania organized by Refugiu de Creatie and Liviu Bulea.
Zephyr Chants (work in progress)
Zephyr Chants (work in progress) - Zephyr Chants is an immersive, interactive sound installation which explores how humans might reimagine their relationship with nature in a future shaped by climate instability. Set within a speculative future where nature has reclaimed the urban landscape, the work imagines how a society could adapt and collaborate with nature instead of controlling or isolating from it. Rather than presenting catastrophe as spectacle or invoking fear, the work aims to propose a space for reflection and wonder, a sensorial experience that unfolds over time and invites the audience to slow down, to listen, and to share presence. The installation transforms repurposed construction pipes into wind sculptures that respond to both the environment and the audience. Zephyr Chants is conceived as a breathing ecosystem in which human, machine, and nature co-compose, each encounter producing a unique sonic landscape. It explores how the boundaries between instrument, stage, performer and audience can be blurred and what happens when these roles are continuously renegotiated. The installation is part of OPPER, an ongoing speculative worldbuilding project initiated by Oana Clitan in 2020. Zephyr Chants is a close collaboration between Oana Clitan and Carmen Terol (flutist, musician). We currently have a working prototype of the installation, and are developing it further with updated scenography, worldbuilding elements and a performance element.
Spatium Vacuum
Spatium Vacuum - A visual research involving creative re-use of archival materials in projects with science fiction or alternative-reality scenarios, focusing on experimental video and animation. Through different techniques I try to create sci-fi visuals starting from archival photos and 3D scans of Rotterdam.
Birth of OPPER - Birth of OPPER consists of two large scale tapestries (above the first of two), that are part of an ongoing project set in a dystopian Rotterdam. Using references from medieval tapestries and socialist murals, the works explore how art is used by the state to convey ideology and create myths about urban environments. The tapestries depict a narrative in which people leave their home city behind and seek refuge in OPPER tower. This enforced tower is built to provide homes that offer shelter from worsening weather conditions. But in the process of admittance, civilians have to agree to be constantly monitored for their data to be harvested and sold. 390 x 180 cm, tufted with tufting gun (wool, acrylic, cotton). Photo by Mihai Gui.
OPPER Leisure
OPPER Leisure - Part of the Birth of OPPER project, I made a series of works about leisure in the OPPER tower. They explore the integration of future technology in different aspects of people's lives. The characters wear the purple 'uniforms' of OPPER tower, inspired by Steve Jobs. The compositions use soviet sports propaganda posters as reference. The works can be combined in different compositions and can be attached to the wall or to wooden panels as sculptural elements in the space.
Visions of 010 melting - The immersive multi-screen installation showcases results of a visual research where I try to create a futuristic or sci-fi city using archive materials. Collections of images from the city archive of Rotterdam (Stadsarchief), together with my own photos and screenshots from Google Maps are fed to an AI image generator, resulting in eerie animations of a constantly changing city. The AI-generated visuals create a feeling of atemporality: it is not clear what is real and what not, if we are seeing the past, present or future and what is made by a human or by an algorithm. The sound design by Sebastian Pappalardo also includes a mix of archive sounds and contemporary field recordings from Rotterdam. The installation is part of a bigger project: creating a future dystopian Rotterdam inspired by the reconstruction politics of the city after the bombing of the Second World War, reimagined in today's context of constant urban renewal, displacement of socio-economic groups and the development of surveillance technology. The installation was first presented during the Motel Mozaïque festival at Theater Rotterdam in April 2022 under the title 'Pixels of Lost Time and Space' (curated by Nikki Giorgiou, in co-production with V2_ Lab for Unstable Media).
Electrons on the threshold - single screen video installation (8 min) exploring the social consequences of the rise of surveillance in public and virtual space. The project is set in a future Rotterdam, which has been rebuilt again after a mysterious disaster. It follows a fictional narrative inspired by the reconstruction politics of Rotterdam after the bombing of the Second World War, reimagined in today's context of constant urban renewal, displacement of socio-economic groups and the development of surveillance technology. Themes of nostalgia and estrangement are intertwined with issues of privacy and censorship. By exploring how catastrophes are used as clean slates for creating 'new and improved' urban and virtual spaces, the project dives into how this can also be used as an opportunity for new ways of governmental or corporate control to be inserted. The project started during a residency in Dresden, Germany in autumn 2020, where I started to research how Dresden and Rotterdam evolved after being bombed during WW2, how this disaster was presented in the media and became part of the cities' identities, as well as the social, political, ideological and economical factors that influenced their rebuilding. The research becomes the basis for a story set in a future Rotterdam. In the video we experience the perspective of Victoria, who lives in Nieuwe Erasmus Plein, the rich part of the city where the citizens' data is sold for profit. Through a series of video messages, she is trying to contact her best friend April, who chose to keep her privacy and stay in a poor neighborhood.
Future news, official screens - video installation, 5 videos/13min, mixed media, 2019; The project uses past and present news rhetorics to make a speculation about how information will be presented in the future - and by whom. It explores a future scenario where, after a certain event, electrical devices are damaged. This causes the production of new visual content to be currently not possible. The only means of visual expression are some rescued materials, which are used by the government to provide information about new developments of the crisis. The installation takes the form of a news station on the street, the news being a more exaggerated form of today's tendencies to base everything on opinions and emotions rather than facts. Themes addressed are the relationship between private news media, governments and corporations, post truth and the current attitude towards official news. Developed part of the Open Archive project initiated by Netherlands Institute for Sound and Vision and Het Nieuwe Instituut. Exhibited at: Mind Over Matter (Technische Sammlungen, Dresden, DE - march 2021), The New Current (Spaanse Kubus, Rotterdam, NL, 2020), Open Archive (Het Nieuwe Instituut, Rotterdam, NL, 2019/2020), Open Archive - Dutch Design Week (Van Abbemuseum, Eindhoven, NL, 2019).
Future news, official screens - Trailer - Trailer for the video installation, 2019. In the installation above there are five screens, each showing the broadcast of a different character trying to explain the current situation. The trailer features all these five voices intertwined. Past and present news rhetorics are used to make a speculation about how information will be presented in the future - and by whom.
LEX4.1 - public installation, 4 screens, 2019, developed with Nicole Sciarone; LEX4.1 is an AI system which operates in a dystopian future in the current space of Gallery Lecq in Rotterdam. At its core an information android, LEX4.1 was designed to connect the areas around the Rotterdam Parkslokken with each other, give information about the neighborhood and changes in the urban planning to citizens passing by, but also to manage technical tasks connected to the lock . Its main role was to keep citizens informed, happy and safe. In this future scenario, LEX4.1 is reflecting about its role in the neighborhood and its condition, and is ultimately a personification of the gallery building.
Terms and Conditions - Drawings, 2017; A series of concept drawings as the starting point of a research about language used in Terms and Conditions texts, particularly when it comes to collecting and sharing information. An obvious starting point is Facebook, which is where the phrase below comes from. The crochet shape references welcome slogans which are mostly empty of meaning in private households, but the lace itself is also a surface of carefully connected points that form a network.

Primăvara în satul românesc: Băbăluda

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Location: Etnographic Museum of Transylvania, Cluj-Napoca, Romania
In association with: Refugiu de Creatie

Textile Biennale - Verweven Toekomsten

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Location: Museum Rijswijk, Den Haag

Textile Biennale Museum Rijswijk

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Location: Museum Rijswijk

Design Biennale Rotterdam

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Location: W70

Narratives of Now / Digital Journeys

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Location: IAGA Gallery

Limburg Biennale

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Location: Mares

OBJECT

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Location: HAKA Gebouw

Ars Electronica festival

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Location: Ars Electronica festival
In association with: V2_ Lab for Unstable Media

T(HUIS) - Rotterdam Architecture Month

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Location: Het Nieuwe Instituut

Visions of 010 melting @ Motel Mozaïque

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Location: Theater Rotterdam
In association with: V2_

Was uns betrifft // Wat ons betreft Dresden

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Location: Galerie Raskolnikow & Gallery Ursula Walter

Was uns betrifft // Wat ons betreft Rotterdam

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Location: Het Archief

Test_Lab: Summer Sessions 2021 / Kunstavond XL

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Location: V2

Deep Truth / Future news, official screens

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Location: Rijksmuseum Twenthe
https://www.rijksmuseumtwenthe.nl/content/2995/en/deep-truth

Summer Sessions 2021

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Location: V2_ Lab for the Unstable Media
In association with: V2_ Lab for the Unstable Media

During this residency I developed the first leg of my project '...we were but electrons on the threshold'.

https://v2.nl/events/test_lab-summer-sessions-2021

Mind Over Matter / Future news, official screens

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Location: Technische Sammlungen Dresden

AiR at C. Rockefeller Center for the Contemporary Arts

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Location: C. Rockefeller Center for the Contemporary Arts

The New Current / Future news, official screens

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Location: Spaanse Kubus
https://www.thenewcurrent.org/

Open Archief / Future news, official screens

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Location: Het Nieuwe Instituut
https://collectie.hetnieuweinstituut.nl/sites/default/files/open_archief_desktop_4_0.pdf

Open Archief / Dutch Design Week 2020 / Future news, official screens

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Location: Van Abbemuseum
https://collectie.hetnieuweinstituut.nl/activiteiten/open-archief

'...all else is poor translation'

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Location: White Cuib
https://www.facebook.com/whitecuib/photos?tab=album&album_id=2511384742281616&ref=page_internal

LEX4.1

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Location: Galerie Lecq
In association with: Nicole Sciarone
http://www.galerielecq.nl/index.php/exposities/37-6-septemberi-12-oktober-2019-oano-clitan-nicole-scarione

Apa Kabar? / Disputation between rocks and heats

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Location: MAMA
https://thisismama.nl/en/events/home-en/apa-kabar-whats-new/

Hubbub le Scope Palermo

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Location: Borderline
In association with: Lavinia Xausa, Nikos Kostopoulos, Mihai Gui

Vermont Studio Center residency

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Location: Vermont Studio Center

Hubbub Le Scope

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Location: Wolfart Projectspace
In association with: Lavinia Xausa, Nikos Kostopoulos, Mihai Gui

Anthropomorphism of Media

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Location: Dynamo Arts Association
In association with: Sylvana d'Angelo, Larissa Monteiro

Goodbye expectations. Hello you.

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Location: Visual Kontakt gallery

HAUS residency

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Location: Visual Kontakt gallery
This artist has no awards yet.