Maia Liu

video, installation, movie,Experimental, Documentary, Conceptual, Audiovisual, Artistic research

Maia Liu (born 1999) is a Rotterdam-based artist who uses experimental film to explore the tensions between individuality and relationality in identity formation. Her work often revolves around multiple perspectives that mirror and merge—a poetics of doubling that reveals how the self is shaped by the other. A key source of inspiration lies in the Old Germanic word frî, which means "free," "beloved," and "equal." This etymological intertwining makes it clear that individual freedom is not separate from connectedness, but rather springs from it—an idea she attempts to make tangible in her work.
Her work departs from an open space, without a predetermined moral framework, in which aesthetic and ethical questions don't arise purely theoretically but develop through the relationships she forges with participants. In intimate collaborations, where everyone plays themselves, relational dynamics emerge that form the core of the work and resonate with broader societal processes of migration, collaboration, and connection.
For Maia, film is a practice of compassion, a way to explore the boundaries between self and other. The camera simultaneously observes, reflects, and participates: a presence that creates distance and enables proximity. Like its own character, the camera exposes the friction between autonomy and connection, individual and community, the personal and the collective.

A Third Hand (28 min. 3 Channel Film. 2025)
A Third Hand (28 min. 3 Channel Film. 2025) - A Third Hand is an experimental docufiction that investigates themes of identity, relationality, and stigma within a fragile reality of precarity. At its heart lies an autofictional narrative, drawn from lived experience yet fictionalized, following the artist's friendship with Su during her recovery from psychiatric hospitalization. This personal story runs in parallel with a guided city tour from the Paulus Church homeless center in Rotterdam, led by people with lived experience of homelessness (the artist's volunteer work), and with encounters with religious preachers whom the artist met unexpectedly at Nieuwe Binnenwegplein in Rotterdam during Black Friday. These distinct yet intertwined stories echo and clash, inviting reflection on a shared condition of unrootedness. In this state, identity, embodiment, and the sense of home reveal themselves as fractured, scattered splinters searching for belonging. The work's fragmented narrative structure and subjective camerawork mirror this disorientation and search; the story does not unfold linearly, but emerges through coincidence and intimate involvement. The work closely examines the relationships between caregivers and those they care for, and the ethical ambiguities that shape these interactions, primarily by questioning what it means to listen and watch. At times, the work draws on therapeutic approaches—not as clinical methods, but as ways to think through presence, and vulnerability. Through this lens, the film gestures toward possible emancipatory resolutions while simultaneously raising ethical questions about the violence inherent in demanding legibility, appropriating experience, or flattening relational complexity. It reflects on the tensions between personal, and institutional frameworks, asking where care begins, who is authorized to provide it, and how meaning emerges in spaces where systems and subjectivities collide. With support of Amarte Fonds
A Third Hand (28 min. 3 Channel Film. 2025)
A Third Hand (28 min. 3 Channel Film. 2025) - Film still (Su in the metro 'reflecting on herself')
A Third Hand (28 min. 3 Channel Film), (2025)
A Third Hand (28 min. 3 Channel Film. 2025) - Film still (Su)
A Third Hand (28 min. 3 Channel Film. 2025)
A Third Hand (28 min. 3 Channel Film. 2025) - Film still
A Third Hand (28 min. 3 Channel Film), (2025)
A Third Hand (28 min. 3 Channel Film. 2025) - Film still
A Third Hand (28 min. 3 Channel Film. 2025)
A Third Hand (28 min. 3 Channel Film. 2025) - Film Still (Paulus Church Guided City Tour Brochure)
A Third Hand (28min. 3 Channel Film. 2025)
A Third Hand (28min. 3 Channel Film. 2025) - Film still (Pauluschurch Guided Tour)
A Third Hand (28 min. 3 Channel Film. 2025)
A Third Hand (28 min. 3 Channel Film. 2025) - Film still (Pauluschurch Guided Tour)
A Third Hand (28 min. 3 Channel Film. 2025)
A Third Hand (28 min. 3 Channel Film. 2025) - Film still (Islamic Preacher speaking)
A Third Hand (28 min. 3 Channel Film. 2025)
A Third Hand (28 min. 3 Channel Film. 2025) - Film still
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. available in single-screen and two-channel versions, 2024) - 'The Bodhi Tree in Bosch's Garden' is a film tracing the artist's exploration of her father's art archive made during the '90s. In her attempt to grasp the meaning of his notes and works, Maia relied on the cultural mediation of her best friend Yezi. Throughout their exploration, they encounter a series of peculiar absurdities. Yezi deeply resonates with both the work and the life story of Maia's father, whom Maia herself barely knows. This triggers a complex interplay of appropriation, projection, intimidation, and admiration among the three characters — the father's artworks, the daughter, and the friend. Their interactions form a composition, continually shifting by their perceptions of one another and the inherent gaps that emerge. Within this dynamic, the camera plays a crucial role as a fourth character, intensifying frictions between life and art, identity, migration and its disillusionments, anarchist dreams and institutional structures. In collaboration with Yezi Lin and the archive of Leopold Liu. Two-channel video installation of 'The Bodhi Tree in Bosch's Garden' at Field Recordings 4, WORM, Rotterdam (2024)
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still (archive)
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film Still (archive)
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still (archive: Leopold Liu, The New Colonizer, 1 min. (documented performance), 2000, Brussels)
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still (Chinese Pavilion in Brussels (Built by Leopold II)
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still (Stolen lotus by my father (30 Years Ago) next to the lotus still attached at the Chinese Pavilion)
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still (Leopold Liu, No Title, 28 x 30,5 cm (painting), 1993, Leuven)
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still (Yezi holding my cardboard mirror camera in front of European Parliament)
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still (In front of the European Parliament)
The Bodhi Tree in Bosch's Garden
The Bodhi Tree in Bosch's Garden (40 min. 2024) - Film still (Yezi Burns the Cardboard Mirror Camera in front of the European Parliament)
Do You Need to Combine Yourself?
Do You Need to Combine Yourself? - An installation of sculptural works in which everyday objects and the human body are used to explore and deconstruct the tension between 'sameness' and 'similarity.' Installation at KIOSK, Ghent (2022)
Do You Need to Combine Yourself?
Do You Need to Combine Yourself? - An installation of sculptural works in which everyday objects and the human body are used to explore and deconstruct the tension between 'sameness' and 'similarity.' Installation at KIOSK, Ghent (2022)
(Do You Need to Combine Yourself) Nike Air Force 1
(Do You Need to Combine Yourself?) Nike Air Force 1 - A pair of shoes where the upperside has been peeled off and folded over the toe. (2022) 49x11x14cm and 49x11x14cm (variable arrangement) Photo by Lukas Neven
(Do You Need to Combine Yourself) Untitled
(Do You Need to Combine Yourself?) Untitled - A fork and a knife worked toward resemblance. (2021) Metal 21x2x0,5cm and 21x2x1cm (variable arrangement) Photo by Lukas Neven
(Do You Need to Combine Yourself) Not One Pair
(Do You Need to Combine Yourself?) Not One Pair - Two shoes of two different pairs, one from my pair (the right one) and the other found in the streets (the left one), painted toward resemblance. (2021) Acrylic and oilpaint on shoes 27x11x10cm and 26x11,5x10cm (variable arrangement) Photo by Lukas Neven
(Do You Need to Combine Yourself) Untitled
(Do You Need to Combine Yourself?) Untitled - Wooden shelves from IKEA Ivar closet cut length wise so as to reveal the closet inside-out. (2022) Wood and hinges Photo by Lukas Neven
(Do You Need to Combine Yourself) Untitled
(Do You Need to Combine Yourself?) Untitled - A smaller spoon shape cut out from a spoon. Untitled (2022) 19 x 13 x 4 cm Photo by Yezi Lin
(Do You Need to Combine Yourself) Cross Eyed Sights
(Do You Need to Combine Yourself?) Cross Eyed Sights - Two cameras moving cross-eyedly over three still lives cut in half and put back together with the wrong half. 2min 55sec (2022) Photo by Charlotte Danielse
(Do You Need to Combine Yourself) How Not to Circulate Matter Together
(Do You Need to Combine Yourself?) How Not to Circulate Matter Together - An attempt to eat a sweet potato (with a fork and a knife that have been worked on to re-semble one another) with two hands simultaneously. Rather than work together, the hands mirror one another. Filmed with two cameras, one connected to each arm. 3 min 15 sec (2021) Photo by Jordi Coppers
(Do You Need to Combine) Echopraxia
(Do You Need to Combine Yourself?) Echopraxia - Two people having a conversation about a shown artwork (a pair of shoes where the upperside has been peeled off and folded over the toe). Two different people mimicking the first two people having a conversation about a shown artwork (a pair of shoes where the upperside has been peeled off and folded over the toe). 1 min 48 sec (2022) In situ work as part of the exhibition 'Two steps too far' in the Glazen Gang, KASK, Ghent Photo by Kristof Thomas
(Do You Need to Combine Yourself) Untitled
Untitled (drawings) - Drawings of the same object drawn with two hands simultaneously. (2020) Pencil on paper Photo by Lennert De Lathauwer

HiShorts! filmfestival

Date:
Location: Lumiere Xiamen IMAX Cinema

HiShorts! International Short Film Festival, Xiamen, China

https://filmfreeway.com/HiShorts

Artist Talk

Date:
Location: Woonhuis van De Ateliers

Artist Talk at Woonhuis van de Ateliers as part of 'Formula 1'

https://woonhuis.de-ateliers.nl/nl/programma/formula-1

 “Formula 1”

Date:
Location: Woonhuis van De Ateliers
In association with: (gepresenteerd werk gemaakt met financiële steun van Amarte fonds)

group exhibition

https://woonhuis.de-ateliers.nl/nl/programma/formula-1

Staging Subjectivity, Experimental Films in Autoetnography

Date:
Location: The Night Aquarium gallery

Screening

https://www.instagram.com/p/DOonI1Kko7k/?img_index=2

Traversing the Borderlines: Intimate Accounts of Perpetual Encounters

Date:
Location: Qyzqaras Cinema
In association with: Asian Movie Night (NL)

A film selected by the Dutch collective Asian Movie Night for the Qyzqaras Film Festival in Almaty, focusing on 'women's perspectives through the lens of cinema'.

https://asianmovienight.com/Asian-Movie-Night-in-Almaty

MINT Chinese filmfestival

Date:
Location: Alhambra Cinema

film festival focused on cross-cultural communication and the representation of women, supporting Chinese filmmakers, women/non-binary filmmakers, and other underrepresented groups

https://www.unicornscreening.com/feature-the-bodhi-tree-in-boschs-garden

Field Recordings 4

Date:
Location: WORM

experimental film festival Rotterdam (NL) at WORM

https://www.instagram.com/_fieldrecordings/p/DC6kZz2tHBo/

What Flows Between us

Date:
Location: SpareWheel

Artist Run Space in Burssel, curated by Maia Liu and Ruby Reding

https://www.instagram.com/p/DBORDnhK6Dp/?img_index=3

Arty Party

Date:
Location: Melkweg Expo

multidisciplinary festival where my work was shown in the cinema

https://www.melkweg.nl/nl/agenda/arty-party-20-09-2024/

The Bodhi Tree in Bosch's Garden (film)

Date:

'The Bodhi Tree in Bosch's Garden' is a film tracing the artist's exploration of her father's art archive made during the '90s. In her attempt to grasp the meaning of his notes and works, Maia relied on the cultural mediation of her best friend Yezi. Throughout their exploration, they encounter a series of peculiar absurdities. Yezi deeply resonates with both the work and the life story of Maia's father, whom Maia herself barely knows...

This artist has no awards yet.