Gil & Moti

socio-social , crossover , Conceptual , Community , Autobiographical , Audiovisual , Artistic research

From the moment we created the duo Gil & Moti, in 1998, we have explored the notion of individuality and questioned forms and norms of identity. Sharing is an ongoing experiment on a visual, mental and physical level, which includes: always dressing identically, never going apart, owning one wallet, one phone and one pair of keys. The denial of the boundaries between private and public, performance and social intervention is central in our work, which often starts small, close to ourselves and rooted in our personal life, but soon extends to a variety of important socio-political themes, such as discriminated minorities, racism, otherness and social and economical status. As artists, a gay couple, Jewish born (ex) Israelis and immigrants living in Europe, we contribute to the critical cultural discourse about human relationships and being different. Switching effortlessly between classical and contemporary artistic mediums, we continuously introduce creative and refreshing perspectives.

Cuts #7. 2026,
Cuts #7. 2026, - oil on canvas with cut-out and c-prints, 105x50 cm
Cuts #4. 2025
Cuts #4. 2025 - two oil on canvas layers with cut-out, 120x90 cm
Mental Diary #101. 2025
Mental Diary #101. 2025 - collage: watercolour, ink, c-print on paper with cut-out, 30x21cm
Mental Diary #59. 2024
Mental Diary #59. 2024 - collage: watercolour, pencil, c-print on paper with cut-out, 21x30cm
Mental Diary #7. 2023
Mental Diary #7. 2023 - collage: watercolour, pencil, c-print on paper with cut-out, 21x30cm
Nakba means a lot to me, 2022, Story House Belvédère Rotterdam
Nakba betekent veel voor mij, 2022, Verhalenhuis Belvédère Rotterdam - Mixed media installation: photo wallpaper, ultra HD video, loop 23':36'', reliefs by Jamal Al Shaabi, showcase with Palestinian objects and memorabilia, furniture. View of the exhibition in the Verhalenhuis Belvédère Rotterdam. Photo: Joop Reijngoud
Nakba means a lot to me, 2022, Story House Belvédère Rotterdam
Nakba betekent veel voor mij, 2022, Verhalenhuis Belvédère Rotterdam - Mixed media installation: showcase with Palestinian objects and memorabilia. View of the exhibition in the Verhalenhuis Belvédère Rotterdam. Photo: Joop Reijngoud
Forget & Remember 2021
Forget & Remember 2021 - Left- Relational Aesthetics with Zvi Gera, 2015, oil on canvas with framed original lithograph, 200 x 80 cm Right- Relational Aesthetics with Moshe Bernstein, 2017, oil on canvas with framed original ink drawing, 60 x 180 cm, photo Aad Hoogendoorn
Forget & Remember 2021
Forget & Remember 2021 - Left- Relational Aesthetics with Sickles, 2020, oil on wood with original sickles, 123 x 105 x 7 cm Right- Relational Aesthetics with Irons, 2020, oil on wood with original irons, 66x 116 x 15 cm photo Aad Hoogendoorn
Forget & Remember
Forget & Remember 2021 - Forget & Remember, 2021, exhibition view Jewish Museum Amsterdam, painted wood, wallpaper, paintings with found objects and original Israeli masters's paintings, six-channel video installation, Ultra HD, total length: 26'20'', audio guide, furniture , photo Aad Hoogendoorn
Wild Bet, 2019, installatie uitzicht in TENT - Video sculpture with eight-channel Full HD video, each 5'00”, wood, glass, artificial leather, aluminum, perforated drawings on paper, found maps, LED screens, 145x 250x250 cm, carpet, wallpaper, letter cutting, bar chairs. Photo: Aad Hoogendoorn
Wild Bet, 2019 - Video sculpture detail: glass, perforated drawings on paper, Full HD video, LED screen. Photo: Aad Hoogendoorn
Change Place Change Luck, 2019, installatie uitzicht in TENT. - 6 video sculptures with two-channel Full HD video, duration ranging from 1'08” – 4'13”, High Pressure Laminate, LED screens, each sculpture 165x 82x39cm, fabric panels, floor sticker. Photo: Aad Hoogendoorn
Donkey Without a Tail, 2018, installatie uitzicht in TENT. - Ultra HD screen, single channel 4K video 27'31”, handcar, plastic seats, acrylic on clothes and wood. Photo: Aad Hoogendoorn
The Dutch Volunteers, 2016, uitzicht solotentoonstelling in het Nederlands Fotomuseum. - Backroom: Truth Is Stranger than Fiction, 2014 - 2016, partition wall, two-channel video installation, Full HD, 16' synchronized, front projection: Jewish Settlement, West Bank, sculpture from; cement, wood lumps. Photo: Studio Hans Wilschut
The Dutch Volunteers: Israel/Palestine, 2014-2016 - Ultrachrome print, 80x120cm

Wild Bet

Date:
Location: TENT
In association with: TENT, Rotterdam, The Netherlands.

The Wild Bet exhibition is a theatrical total installation and revolves around gambling as a social psychological phenomenon in Rio de Janeiro, Helsinki and Rotterdam.

https://www.tentrotterdam.nl/tentoonstelling/wild-bet/
This artist has no awards yet.